Nick Joyce

Nick Joyce

Thursday 8 October 2009

STOCKHOLM SYNDROME


For a change, this post has nothing to do with music, as Swedish crime author Stieg Larsson doesn’t go in for the rock ’n’ roll name-dropping that so endears me to his Scottish colleague Ian Rankin. I’ve just finished reading Larsson’s book “The Girl With the Dragon Tattoo”, the first part of his “Millennium Trilogy” and I found myself strangely moved by the book – despite my reservations both about the time Larsson takes to tell his story and the plethora of characters that inhabit it.
What got me about the novel besides the author’s strong stance against violence towards women (the Swedish title in fact means “Men Who Hate Women”) and his intricate depiction of a dysfunctional family of industrialists was the way that Larsson, himself a journalist, handles the media side of the story. “The Girl With The Dragon Tattoo” might turn out to be one of the last major crime novels written before the background of an intact newspaper industry, as many daily publications have either ceased to exist entirely or have retreated from the news-stand since the book came out in 2005.
What also moved me about the book was the camaraderie among the characters who work on the “Millennium” magazine that gives Larsson’s trilogy its name: as a freelance writer, I sorely miss the regular and friendly repartee with other colleagues in the field. But Larsson is in no way painting a rose-coloured picture of the press milieu. He also warns how easily journalists can be corrupted when personal matters infringe upon their work, and also demonstrates how people who might be crucial to a particular project often find themselves high and dry when a piece has been written up and published. Lisbeth Salander, the character who gives the novel its English title certainly discovers that to be true - at least at the end of “The Girl With The Dragon Tattoo”. There are, after all, two other books in the trilogy that I have yet to read. By the way, I lied about this post not having anything to do with music: Mikael Blomkvist, the central figure in “The Girl With The Dragon Tattoo” is a big Elvis fan.

4 comments:

René said...

Liebe Freunde von Nick, ich muss euch von Stieg Larsson warnen! Die Trilogie ist wahnsinnig spannend. Einmal begonnen, kann man nicht einfach wieder aufhören. Vorallem der zweite Band hat Suchtpotential. Die Trilogie hat noch einen weiteren Nachteil: Der Umfang beträgt ca. 1500 Seiten. D.h. ihr müsst die Lektüre in eine sorgfältige Jahresplanung integrieren. Ansonsten meinen eure Freunde, ihr seid verreist oder irgendwie sonst von der Erdoberfläche verschwunden.

Anonymous said...

...die drei Bücher sind der Hammer. Stieg Larsson wollte 10 Bücher für die "Millenium"-Serie schreiben. Für das vierte Buch existiert ein unvollständiges Manuskript. Ich hoffe schwer, dass es trotz Familienfehde noch zu einer Veröffentlichung kommt.

Anonymous said...

Interesting Nick, I am VERY familiar with the collapse/contraction of the Publishing world facing redundancy after takeover by another firm at present, and as they say in the last season of "The Wire", it's all "Do More with Less".
Looks like another book to add to my huge list of "maybe get around to it between Job Applications and Interviews". Funnily, I've always wanted a Dragon Tattoo to go with the Tiger (probably to do with David Carradine's Kung Fu series as a child), but it's so common that I am designing a Phoenix one in my spare time. My GF has just had a really nice one of an Ammonite done as part of her psychological journey away from violence against women to strength, individuality and happiness.

Be well and love
Dr. JS

Unknown said...

Darling Boy, how strange I have this book and its' sequel on my list of "must reads" in the near future. I look forwards to comparing notes.