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Perhaps it’s the realisation that U2 are far better songwriters than musicians that leads Bono to be so cocky when talking about the band and its music. Given, if you are beloved by millions, you do have the right to be a little self-assured, but I can’t help thinking of Golda Meir when I think about Bono. The fourth Prime Minister of the state of Israel reputedly once said to a fellow politician that “you’re not great enough to be modest". With Bono, a man painfully aware of his limitations as a singer and an instrumentalist, Golda Meir’s quip has a canny ring. I think his subtle shortcomings more than his evident triumphs are what make Bono interesting as an artist, and he’s always most engaging when he’s not trying to convince you of his own greatness. As he himself once said, sometimes the least serious music turns out to be the most eloquent. The song “Sugar Daddy” he co-wrote for Tom Jones is proof of that. It by far outstrips anything on U2’s current album “No Line On The Horizon” because it’s funny, sexy and autobiographical all at the same time. That’s a combination not many song-writers achieve.